The Bottom Line
Cast & Creative
DirectorJen Hemme
Music DirectorHolly Stanfield
ChoreographerRachel Debenedetto
Projection DesignJeff Tidwell
Lighting DesignJeremy Jones
IntimacyLillian Brown
Evan HansenGus Pappas
Heidi HansenMary Engelhardt
Connor MurphyTristen Serpa
Cynthia MurphyShannon Payette Seip
Larry MurphyBrandon Albright
Zoe MurphyEmma Phillips
Jared KleinmanTrevor Rounds
Alana BeckKhloe Judd
* Projection design: Jeff Tidwell. Original Broadway projection designs licensed through Broadway Media; additional original designs created by Jeff Tidwell for this production. The approach pays homage to the original Broadway production while bringing a fresh, more modern sensibility to this staging.
Dear Evan Hansen — Nevada Premiere
Broadway Stage Collective · Summerlin Library & PAC · 1771 Inner Circle Dr, Las Vegas
Schedule: Thu–Fri 7:30pm · Sat 2pm & 7:30pm · Sun 2pm · Mon Apr 13 7:30pm
Through April 19, 2026
Tickets from $35 (rush) ·
dearevanhansen.vegas
Content: Teen suicide, mental health. PG-13. Hope Means Nevada reps at select shows. Crisis line: 988.
Here's the truth about Dear Evan Hansen: it's way darker than the marketing lets on. You think you're getting a story about hope and connection, but really it's about a kid who fabricates a friendship with a classmate who died by suicide - and watches as that lie spirals out of control. It's uncomfortable, messy, and when it hits, it hits hard. Luckily, BSC's production nails it.
Gus Pappas is phenomenal as Evan - he's not just playing "anxious kid," he's a specific person falling apart at the seams. Shannon Payette Seip brings her A-game as Cynthia Murphy, and her Off-Broadway credentials show - she elevates the entire cast. Mary Engelhardt carries the emotional weight of the second act as Evan's mom Heidi, and Khloe Judd is a standout as Alana Beck - this 17-year-old Las Vegas Academy student performs like a pro.
The real surprise here is the design. Jeff Tidwell's projection work doesn't try to replicate the Broadway production; instead, it dives inward, showing us what Evan's anxiety feels like. Jeremy Jones' lighting is slick and polished - no surprise, given his Cirque du Soleil credentials. Holly Stanfield's pit is tight, and director Jen Hemme's decision to go for intimacy over grandeur pays off big time.
This community theatre production is a serious powerhouse. The leads deliver, the design makes some bold choices, and the team treats the heavy subject matter with the seriousness it deserves. It's not flawless - the second act drags in spots, but that's a problem with the show itself, not this production. Bring tissues, because you'll need them - Dear Evan Hansen deals with teen suicide and mental health, and it's not a light night out. But trust me, it's worth seeing.